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Violin: Bartosz Woroch, Alexandra Raikhlina
Viola: Nathan Braude
Cello: Peteris Sokolovskis
Piano: Aleksandra Hałat, Katya Apekisheva
Flute: Ania Karpowicz
Harp: Richard Allen
Alexandre Tansman fled the Nazis for America in the late 1930s; Wladyslaw Szpilman was a Polish pianist and classical composer of Jewish descent. Szpilman is widely known as the central figure in the 2002 Roman Polanski film The Pianist, which was based on Szpilman's autobiographical account of how he survived the German occupation of Warsaw and the Holocaust; Simon (Szymon) Laks (1 November 1901 – 11 December 1983) became head of the prisoners' orchestra at Birkenau-Auschwitz; Tadeusz Kassern survived the war in Lviv, Cracow and Warsaw, using false papers to hide from the Gestapo; Karol Rathaus fled Berlin in 1932 on the eve of the Nazis taking power.
Programme:Szpilman: Suite for piano |
Laks: Quartet no.3 |
Tansman: Sonatina da Camera |
Interval |
Kassern: Flute Sonatina |
Tansman: Pour les Enfants |
Rathaus: Piano Trio |
Violin: Alexandra Raikhlina, Bartosz Woroch
Viola: Nathan Braude
Cello: Liubov Ulybysheva, Peteris Sokolovskis, Gabriel Waite, Seth Collin
Piano: Katya Apekisheva, Aleksandra Hałat
Clarinet: Dov Goldberg
Percussion: Jan Bradley
Alexandre Tansman fled the Nazis for America in the late 1930s; Wladyslaw Szpilman was a Polish pianist and classical composer of Jewish descent. Szpilman is widely known as the central figure in the 2002 Roman Polanski film The Pianist, which was based on Szpilman's autobiographical account of how he survived the German occupation of Warsaw and the Holocaust; Simon (Szymon) Laks (1 November 1901 – 11 December 1983) became head of the prisoners' orchestra at Birkenau-Auschwitz; Jerzy Fitelberg escaped the Nazis to America in 1940, through Paris; Karol Rathaus fled Berlin in 1932 on the eve of the Nazis taking power; Mieczyslaw Weinberg fled to the Soviet union as the war began, but lost his parents and younger sister Esther in the Trawniki concentration camp.
Programme:Tansman: La Danse de la Sorciere |
Rathaus: Quartet n.4 |
Fitelberg: Nacht Music op.9 |
Interval |
Tansman: Deux Mouvements for Cello Quartet |
Weinberg: Piano Trio op.24 |
An Opera by Noah Max
Based upon The Boy in the Striped Pyjamas by John Boyne
By special arrangement with Miramax
Artists:
Director: Guido Martin-Brandis
Conductor: Robert Max
Cast:
Noam Pnini, Soprano – German Child
Eleanor Oldfield, Mezzo-soprano – Jewish Child
Xavier Hetherington, Tenor – Lieutenant Kotler
Jeremy Huw Williams, Baritone – The Father
Musicians
Violin: Kyra Humphreys, Alexandra Raikhlina
Viola: Nathan Braude
Cello: Gabriel Waite
Clarinet: Dove Goldberg
Trumpet: Imogen Whitehead
John Boyne’s masterpiece The Boy in the Striped Pyjamas still features regularly on international bestseller lists nearly two decades after its initial publication in 2006. Boyne’s story is a symbolic exploration of one reason why the Holocaust remains so traumatic: it demonstrates to future generations the relentlessly organised barbarity of which humanity is capable.
This chamber opera addresses the Holocaust in a way audiences of every age can engage with. The project has been supported by internationally-renowned organisations including the Community Security Trust and the Vaughan Williams Charitable Trust.
Emma Fisk - Violin
Jamie McCredie - Guitar
Abbie Finn - Percussion
Faye MacCalman - Saxophone
Andy Champion – Double bass
Graham Hardy - Trumpet
Jason Holcomb- Trombone
Conductor: Anrew Jackson
Soloist: Iona Brown
Cobweb Orchestra is the only amateur orchestra in the country brave enough to tackle the unusual repertoire explored during our festival. This year, they will be performing the Szymon Laks Poeme for violin and orchestra with Royal Northern Sinfonia's Iona Brown as the soloist. Szymon Laks was incarcerated at Birchenough-Auschwitz where he became the leader of the man's orchestra.
Programme:Gerson Overture in D major |
Szymon Laks: Poem for violin and Orchestra |
Schubert symphony no 8 "Unfinished" |
Second Peformance
An Opera by Noah Max
Based upon The Boy in the Striped Pyjamas by John Boyne
By special arrangement with Miramax
Violin: Magdalena Filipczak, Alexandra Raikhlina
Viola: Nathan Braude
Cello: Robert Max
Tenor: Alex Aldren
Piano: Nicola Eimer, Yoshi Kawamura
Josima Feldschuh was a wunderkind pianist and composer from a Jewish family in Warsaw. She died in 1943 at the age of 15 whilst fleeing Warsaw Ghetto. Josima would talk about how she wanted to become a composer one day, to “prove the world” that women are not only capable of playing pieces written by others, but also of composing music themselves.
She left a manuscript of perfectly handwritten 17 piano pieces which she composed from as early as age 9 up to her death. These are currently kept at the Yad Vashem Museum in Jerusalem.
We have selected four of those pieces which will be interspersed throughout the Closing Concert programme. The closing piece will be Brundibár Arts Festival Commission 2024 dedicated to Josima. The piece will be for piano quintet and tenor. Sections from Josima’s father’s diary will be used for the vocal part which will be sang in Yiddish.
We have commissioned the piece to be written by Ukranian composer Volodymyr Runchak who is currently a war refugee in Poland near Warsaw.
Programme:Josima Feldschuh : Bal Ptaszkow -piano |
Chopin: Polish songs - tenor and piano |
Josima Feldschuh : Mazurka no.6 - piano |
R. Panufnik: Votive - string quartet |
Josima Feldschuh : Nocturne in G minor - piano |
Szymanowski: Trois Chansons op.32 – tenor and piano |
Interval |
Josima Feldschuh : Shabbattiada - piano |
Bacewicz: Piano Quintet |
Volodymyr Runchak: Brundibár Arts Festival Special Commission 2024 “Fragments of a Diary” dedicated to Josima |